AVENUE MONTAIGNE

REVIEW BY DAVE SMITH

 

Sydney Pollack came back to his native state recently (born in Lafayette, raised in South Bend) to show his film Sketches of Frank Gehry. After the film, he answered questions from the audience and talked about what he was doing. He mentioned that he likes to get involved in helping people get their films produced. Sometimes he is the producer and other times he paves the way. Avenue Montaigne is one of those films. Pollock is not the producer, but he does have a substantial part in the film. Surely his clout helped get this film made.

Avenue Montaigne was written and directed by Daniele Thompson. Thompson's son, Christopher Thompson was co-writer and has an important part in the film. This is not exactly a "piece of fluff," but it is close to it. It is mostly a series of character studies. Cecile De France, who plays young Jessica, ties the whole film together. She decides to go to Paris and try to hob nob with the rich and famous. She gets a job as a waitress in a bar next to a theater. This way she is able to meet several fascinating people.

A concert pianist, played by Albert Dupontel, is tired of playing for his rich clientele. He is tired of wearing a stuffy, hot tuxedo. He'd rather play for those who know little or nothing about music. His wife, however, tries to keep him on the concert tour. Claude Brasseur is an art dealer who has collected paintings for many years. Now that his wife has died, he no longer has any interest in keeping his collection and decides to sell out. His son, played by Christopher Thompson, does not agree with his father's decision. A soap opera superstar, played by Valerie Lemercier, is a neurotic bundle of nerves who has her own ideas about every role she plays and every line she speaks. Ms. Lemercier virtually steals this movie. Her intensity and nutty personality are a marvel to watch.

Pollack plays a well known movie director who is searching for a leading lady for his next movie. He stumbles upon Lemercier and is enchanted. In addition to some very good performances, there are some wonderful scenes of Paris. Yes, there are subtitles but so what? They are no hindrance at all. This is an entertaining movie with a variety of plots and characters. It moves well.

 

BACK TO CURRENT REVIEWS

 

 

 

All contents of this website 2000-2013 by David L. Smith

"When Movies Were Movies" and "Hoosiers in Hollywood" are  registered trademarks, fully protected under U.S. and International law. Use without permission is strictly prohibited.

 

Home |Silents Please! |The Golden Age |Current Films |Hoosiers in Hollywood |Movie Music | |About Me |Links |Linking to the Site |Guestbook |Contact Dave